Installation View Cunningham Left to Right: O Bistro, Dekooning Studio, Oranges Grapefruit and Lime

Installation View Cunningham Left to Right: Red Book, Pots, Scholars, Regine's Garden

Installation View Cunningham Port, Flight Out, Tempesta Murano

Installation View Cunningham Flight Out, Tempesta Murano

Installation View Cunningham Installation View Cunningham Our Man in Tahiti, New York Harbor

John Cunningham, Sleepy Hollow, 2014, oil on canvas, 12x16 in

John Cunningham, Maine, 2014 oil on canvas 16x12 in

John Cunningham, Port, 2014 oil on canvas 12x16 in

John Cunningham, La Torre 2014 oil on canvas 12x16 in

John Cunningham, Boat, 2014 oil on canvas 16x12 in

John Cunningham, Rag&Bones, 2014, oil on canvas, 16x12 in

John Cunningham, Apple, Oranges, Grapefruit and Lime, 2014 oil on canvas 12x16 in

John Cunningham, Flowers, 2014 oil on canvas 16x12 in

John Cunningham, Garden in Maine, 2014 oil on canvas 12x16 in

John Cunningham, Scholars, 2014 oil on canvas 12x 16 in

John Cunningham, Salt Point, 2014 oil on canvas 16x12 in

John Cunningham, Tempesta Murano, 2012 oil on canvas 12x16 in

John Cunningham, Fragonardise, 2014 oil on canvas 16x12 in

John Cunningham, Our Man in Tahiti, 2014, oil on canvas

John Cunningham, Regine's Garden, 2013 oil on canvas 12x12 in

John Cunningham, Wild Flowers, 2013 oil on canvas 12x12 in

John Cunningham, Mediterranean, 2013 oil on canvas 20x20 in

John Cunningham, Pots, 2014 oil on canvas 14.5x22 in

John Cunningham, Chief Napoleon Madison, 2013 oil on canvas 28x14 in

John Cunningham, Flight Out, 2004-14 oil on canvas 20x 24 in

John Cunningham, O Bistro, 2014, oil on canvas 24x20 in

John Cunningham, Ventoux, 2007, oil on canvas, 12x16 in

John Cunningham

November 19 – December 31, 2014

Art is a spoken word.  How "that" differs from what we see sets intelligences apart; experience-by insurrection (such, this)- above the barricades but still below, well off a pedestal. The art of John Cunningham invites appeal through simultaneous disposition granted equally the vocabulary furnishes thought, the perceived feeds sensation. It pretends to neither omniscience nor authority.  Handmade matter - breathed life into by human artist - form acknowledges an inheritance of tradition no less than evolution a human face.  The seeds of another time and place always yield renewal in the present, and the present remains abstract.  Reserve that soothes, places even sensuous capture (or animal vengeance) at the beck though not necessarily the call of intelligence, bids commend go dancing with demand; restraint refers all regarded through the prism of a pattern from which, perhaps most intriguingly, eye, ear and nose emerge with valence equal the lilies of the field - John Cunningham, artist, seeks both to admire and dissect, marvel and murder what we know: he portrays: we wish to comprehend.  It is a pattern in the end blends into unknowing.

 

Jack Cooper, 2012